Fallback Friday: Surface, Support, Process
Enjoy winter with a fallback by Jessica Holmes, reviewing Surface, Support, Process: The 1960s Monochrome in the Guggenheim Collection at the Guggenheim Continue reading
Abysmal Grief, Ephemeral Beauty: On the Poems and Photographs of Eileen Myles
Student Lune Ames (Class of 2020) writes about Eileen Myles’s solo exhibition “poems” at Bridget Donahue Gallery for Degree Critical Continue reading
Close Enough: John Houck’s “Holding Environment”
Alumna Kaitlyn A. Kramer (Class of 2015) reviews John Houck’s exhibition “Holding Environment” at Marianne Boesky Gallery for Degree Critical Continue reading
The End of Writing, or Ursula Monkton
Alumna Cigdem Asatekin (Class of 2017) writes about monsters, writer's block, and Neil Gaiman's The Ocean at the End of the Lane for Degree Critical Continue reading
A Closer Look into the Art Writing Summer Intensive
Check out the introduction video for MFA Art Writing's Summer Intensive program Continue reading
Dreaming and Conceiving, or a Case for More Folktales
Student Zeny May Recidoro (Class of 2020) reviews Raven Chacon’s Still Life No. 3 (2015), on view at the National Museum of the American Indian Continue reading
Quijote Talk: Joshua Sperling with David Levi Strauss
Join us for the final Quijote Talk of the semester featuring author Joshua Sperling and department chair David Levi Strauss in conversation Continue reading
Correspondences: Readings with Etel
Poetry Project's Correspondences: Readings with Etel hosts professor Kaelen Wilson-Goldie along with Ammiel Alcalay and Sarah Riggs on Nov 30 Continue reading
Boyd Rice Ain’t Nice
Alumnus Noah Dillon (Class of 2012) writes about the conflict surrounding the cancelled Boyd Rice and Darja Bajagić show at Greenspon for Degree Critical Continue reading