being seen : captured action by peter campus

Student David C. Shuford (Class of 2021) reviews “peter campus : video ergo sum” at the Bronx Museum Continue reading

An Active Infinity: Impressionism in the Age of Industry

Alumna Cigdem Asatekin (Class of 2017) reviews “Impressionism in the Age of Industry: Monet, Pissarro and more” at the Art Gallery of Ontario Continue reading

The Restoring Force of Gravity: Lauren McKeon’s “Let go or be dragged”

Alumna Emma Drew (Class of 2017) reviews Lauren McKeon's "Let go or be dragged" Continue reading

On Post-irony, Parafiction, and Other Distortions: Sahar Khraibani in Conversation with Hicham Faraj

Alumna Sahar Khraibani (Class of 2019) in conversation with artist Hicham Faraj Continue reading

Art Writing Summer Intensive

Join us for a two-week intensive for writers, artists, and curators of all levels and backgrounds interested in gaining in-depth experience of art writing Continue reading

Nancy Holt at Dia:Chelsea

Student Angella d’Avignon (Class of 2020) writes about Nancy Holt at Dia:Chelsea Continue reading

Fallback Friday: The Dark Side of Joy

Degree Critical remembers alumna Alyssa Timin’s (Class of 2008) exploration of Llyn Foulkes exhibition, “Deliverance” at Kent Fine Art Continue reading

Interiority and the Novel: The Tale of Genji at the Metropolitan Museum of Art

Student Zeny May D. Recidoro (Class of 2020) reviews “The Tale of Genji” at the Metropolitan Museum of Art Continue reading

Bertoia: The Metalworker Reconsiders an Overlooked Modernist

Beryl Gilothwest reviews “Bertoia: The Metalworker” by Beverly H. Twitchell Continue reading