The Sea is Still Beautiful (An argument about an argument about beauty)
Sahar Khraibani (Class of 2019) writes about the sea, terror, capturing beauty, and Nilufer Demir’s photograph of Alan Kurdi for Degree Critical Continue reading
Complexity in the Face of Praise
William Whitney (Class of 2020) reviews God Made My Face: A Collective Portrait of James Baldwin, a group show curated by Hilton Als, at David Zwirner Continue reading
Pointed Toward the Universe with Obvious Yearning: Michelle Stuart at Galerie Lelong
Amelia Rina (Class of 2015) writes about the Michelle Stuart exhibition "Flight of Time" at Galerie Lelong Continue reading
The Human Condition, the Museum, and OxyContin
Sumeja Tulic (Class of 2019) writes about the protest at Solomon R. Guggenheim Museum by Prescription Addiction Intervention Now (PAIN) on February 9 Continue reading
Angella d’Avignon in conversation with Pamela Ramos
Student Angella d’Avignon (Class of 2020) in conversation with Pamela Ramos, artist and project coordinator for El Clasificado in Los Angeles, CA Continue reading
Quijote Talk: A. S. Hamrah with Jennifer Krasinski
The second Quijote Talk of the term features A. S. Hamrah, reading from his book The Earth Dies Streaming followed by a discussion with Jennifer Krasinski Continue reading
Shake It Off: Approaches to Placemaking in the 21st Century
Summer Intensive 2018 resident Lauren Palmer reviews "Life to come," organized by Asad Raza, at Metro Pictures for Degree Critical Continue reading
Fallback Friday: Black Mountain College and Its Legacy
Degree Critical remembers alumnus Kareem Estefan's (Class of 2012) reflection on “Black Mountain College and its Legacy” at Loretta Howard Continue reading
Rekha Rodwittiya: Abundant, Verdant, Chilling, and Surreal
Alumna Sanjana Srinivasan (Class of 2018) reviews "Rekha@Sixty: Transient Worlds of Belonging” at Sakshi Gallery for our journal Degree Critical Continue reading