The Sight of Death, Over and Over
Alumna Cigdem Asatekin (2017) considers how two paintings in puzzle form helped to pass the time under the Covid-19 lockdown Continue reading
Fallback Friday: “Doris Salcedo: A Mourning Offering”
Degree Critical revisits alumnus José Peña Loyola’s (Class of 2016) walk through this 2015 exhibit with his mother Continue reading
Listening With the Ancestors: Cauleen Smith’s “Mutualities”
Student David C. Shuford (Class of 2021) reviews Smith’s first solo exhibition in New York Continue reading
Fallback Friday: BYOF-Bring Your Own Flowers
Alumna Christine Licata (Class of 2008) reviewed Ei Arakawa’s 2007 intrepretative performance of Amy Sillman’s artistic process Continue reading
Fallback Friday: Wet Suits and Male Gaze
Degree Critical revisits alumna Tara Stickley’s (Class of 2013) timely reflection on the eve of Trump’s inauguration in 2017 Continue reading
Renée Green Holds Chromatic Space for Critical Contemplation
Kirsten Cave reviews Green’s current exhibition “Excerpts” at Bortolami Gallery Continue reading
The Face of a Contracting World
Student Nyasha Chiundiza (Class of 2021) considers how the Covid-19 pandemic exists within Bruno’s cosmos and its rhythm of contraction Continue reading
Fallback Friday: “Dispatch 33: It’s the Communications Environment, Stupid”
A 2016 dispatch written by Chair David Levi Strauss forecasts American democracy’s “digital doppelgänger” that now grips the nation Continue reading
Selections from “The Making and Unmaking of Memories, or The Fragmenting Force of Memory”
Alumna Sahar Khraibani’s (Class of 2019) latest grant-supported work grapples with gaps in identity and language Continue reading